Sunday, May 21, 2006

Dosar

A teacher puts a glass of liquor in front of students. She puts a live insect in the glass. The creature struggles for sometime then dies. Teacher asks, “What have we learnt form this?” A student answers," Drinking kills harmful worms present inside our body.” This is an old joke but certainly makes one thing clear that different people look at things differently. Rituparno Ghosh once again proved this point when he thought about 'marital infidelity.'
Dosar is story of a woman (Konkana Sen Sharma) whose husband (Prasenjit Chatterjee) has an extra marital affair. She struggles with this fact all through the movie and at last forgives him. The movie is different as never before a movie has thrown light on this topic in such an objective way. Ghosh delights viewers by his unending zeal to experiment with the story and picturisation. Dosar is a Black and White movie. The director wants filmgoers to explore the shades of gray marital infidelity offers.
At every moment cinematography compliments the film. Aveek Mukhopadhyay should be congratulated for his work. A beautiful story by Sirshendu Mukhopadhyay. The story starts when Prasenjit meets a car accident in which his mistress dies. In the next scene Konkana is shown struggling with 'worry and hatred.' Her character follows the gray shades of the film as on one hand she hates her husband and on the other she supports her brother's relation with a married woman. The movie explores both sides of the coin.
Interpretation of movies or any art form depends on perception. Again, different people see different aspects. And that’s where directors like Rituparno Ghosh score over others. They help you understand the topic better by exposing you to all the aspects of a story. He is master of ‘objective entertainment’ (if a term like this exit).

Monday, May 01, 2006

Darna Jaruri Hai

A story full of strange and frightening things designed to entertain people is a horror story. This is how Oxford dictionary defines the meaning of a horror story. Horror is a feeling of great shock, fear and disgust. But it can still entertain you. In the same way, a story about funny things for the purpose of entertainment is a comedy story. How many people thought that Horror and Comedy could co-exit to entertain? Ramgopal Verma did, not once but twice. Exactly like Darna mana hai, Darna Jaruri hai has a main story which binds 5 stories. Each story directed by a different director. All equally good and entertaining. Ram Gopal Varma, Jijy Phillip, Sajid Khan, J D Chakravarthy, Vivek Shah, Prawal Raman all did a great job. The movie has a warm up story directed by Sajid Khan. Manoj Pawah's story gave the movie a good start. One can not stop laughing when Manoj opens his mouth. Audience will remember his performance for long. The film starts with a school picnic near a jungle. Out of adventure, 5 childern leave the cottage hotel and enter the jungle. They find a deserted house and are forced to stay there due to heavy rains. An old lady invites them inside and then she narrates them 5 fearsome stroies. First story: This is story of a eccentric professor(Amitabh Bachchan) and his student( Riteish Deshmukh) directed by Ram Gopal Varma. Second stroy: Story of a film director (Anil Kapoor) and a girl who takes lift in his car (Mallika Sherawat). This story is directed by Jijy Phillip. Third story : Story of a man (Randeep Hooda) whose car hits a woman on his way to Pune. Next morning he finds himself in police station charged with murder. J D Chakravarthy directed this episode. Fourth story : Story of a couple (Suniel Shetty and Sonali Kulkarni) whose door is knocked by a strange insurance agent ( Rajpal Yadav) directed by Vivek Shah. Sixth story : Story of a man (Arjun Rampal) whose car breaks down and he takes help of a strange couple (Bipasha Basu and Makrand Deshpande). Prawal Raman directed this story. At last if you want to see how ‘Twinkle twinkle little star’ can be used in a horror movie, you need to watch the movie.